October 19th, 2010
It has been a while since I posted up a Subdetritus (my monthly bass column in 3D World) on the Morass site and for that I apologize. I thought I’d remedy the situation by posting this month’s column which is my little tribute to Mary Anne Hobbs after her recent decision to leave her position as host of the BBC Radio One Experimental show.
From here on in I will be posting them each month as they are published in 3D World (hopefully). Hope you enjoy!
In news that saddened many bass music fans – last month Mary Anne Hobbs hung up her headphones with the broadcast of her last ever show on the UK’s BBC Radio One. Hobbs had been with the radio station for almost fourteen years hosting her weekly two-hour Experimental show (formerly known as the Breezeblock). Over the course of that time, her ear and penchant for hyperbole helped break countless electronic music artists, and indeed entire genres. It’s hard to imagine another figure that single-handedly did as much to break the dubstep and wonky movements (and all their mutant strains) to a global audience. This month in Subdetritus, we pay tribute to the breathy-voiced queen of bass and beats.
Mary Anne Hobbs was not always on the cutting edge of electronic music. Her first passions were metal and motorbikes, so at the age of eighteen having ran away to London she ended up living in a bus with the band Heretic. She helped out as a mechanic and designed sets and cover art for the band. A year later, Hobbs landed a gig writing for Sounds Magazine in the UK and not long after found her way on to the pages of the revered (and loathed) British music press NME. When James Brown, former deputy editor of NME decided to leave and co-found Loaded Magazine, Hobbs went with him before falling into radio work on XFM. It was there that she got noticed by the powers that be at the BBC.
Being a massive fan of the late John Peel and his tireless work breaking new artists on the BBC airwaves, Hobbs jumped at the chance and has enjoyed a long relationship with them ever since. Over the history of her Experimental show, its hard to think of a forward-thinking electronic artist, label or subgenre that she hasn’t explored. Once claiming that she listens to about ten hours of new music a day, Hobbs’ quest to present the finest two hours of sounds on the planet each week was relentless and inspiring. Her ‘Dubstep Warz’ special back in 2006 was a watershed moment for the genre presenting mixes from the leading producers of the time and her final show featured an exclusive mix from Kode9 and Burial which was simply stunning.
Far from retiring, Hobbs will continue to DJ globally as well as taking an internship at Sheffield University, curating stages for Sonar and Bloc festivals and is currently helping Darren Aranovsky with the soundtrack to his new film Black Swan. We wish her all the best!
By Brad Swob
(orginally published in 3D World)